What did the researcher want to know?
What did the researcher want to know?
What are women’s experiences in realizing their professional goals as band teachers?
What did the researcher do?
Fischer-Croneis conducted a multiple case study of nine women in the midwestern U.S. who were teaching band or finishing their undergraduate preparation to become band teachers. The inservice teachers’ years of experience ranged from 4 to 34, and they were teaching either middle school or a combination of middle and high school. Fischer-Croneis individually interviewed each participant, using open-ended questions to elicit discussion regarding their experiences as female band teachers in two main areas of focus: 1) Gaining entry into the profession, and 2) Navigating the profession.
What did the researcher find?
In terms of gaining entry into the band-teaching profession, several participants described experiences in which they had been given interview-related advice based on their gender, were asked interview questions they felt a man would not have been asked, or believed they had not been offered high school band teaching jobs due to their gender. Others sensed “the potential for unspoken bias,” including one young woman who felt that a hiring committee might question whether she would “do this job to the full extent” due to the assumption that “she’s in a prime baby-making age” (p. 187).
In navigating the profession, some of the participants felt pressure to adopt a more “masculine professional persona” in order to be accepted in the “band world” (p. 188). While they did feel that it was becoming easier to identify female band teachers at the national level, such as Mallory Thompson at Northwestern University, many participants were unable to name a female band teacher they knew at the local level. Only one of the three preservice teachers was able to name a female high school band teacher.
Though they felt things were improving, all of the in-service teachers confirmed the perception of a “Good Ol’ Boys’ Club” in the band world, which they most notably felt at places like state conferences or the Midwest Clinic. Other experiences shared by participants included being mistaken for the assistant band director (because the male assistant was assumed to be the head director), challenges in networking “with those in power—perceived by many of the participants to be typically men,” and a feeling of a “double standard” in that “the assertive behavior [a woman] must embody to be a successful band teacher [does] not match social conventions for women” (p. 192).
What does this mean for my classroom?
Women continue to be a minority in the band teaching profession, and many female teachers experience persistent feelings of exclusion in the band world. Female band teachers in a similar study by Coen-Mishlan (2015) even felt they were treated differently at adjudicated events and questioned whether their bands were judged more critically. Music teachers and music teacher educators should remain aware of the underrepresentation of women in the band teaching profession and the resultant lack of role models for female band teachers. We can look for instances in which gender stereotypes may be reinforced. For example, an examination of the photographs featured in issues of Music Educators Journal from the years 1962-2011 revealed that 79% of the photographs depicting conductors showed men in this role, and there were no photographs of female conductors in any issue of MEJ during 2001 (Kruse, Giebelhausen, Shouldice, & Ramsey, 2015). Media that music teachers use in their classrooms may also reinforce similar stereotypes, which we can look for and avoid.
In addition to avoiding the perpetuation of gender stereotypes, we can actively work to combat them by exposing students to examples and images of female band directors. Individuals serving on hiring committees should be conscious of the possibility of bias against female band teachers, particularly when filling high school band teaching positions, and male band teachers can consciously work to help women feel included and valued in the profession.
- Coen-Mishlan, K. (2015). Gender discrimination in the band world: A case study of three female band directors. Excellence in Performing Arts Research, 2, Article 1. https://doi.org/10.21038/epar.2014.0104
- Kruse, A. J., Giebelhausen, R., Shouldice, H. N., & Ramsey, A. L. (2015). Male and female photographic representation in 50 years of Music Educators Journal. Journal of Research in Music Education, 62(4), 485-500. https://doi.org/10.1177/ 0022429414555910